People gather for
Art at the Armory Show, March 2013
People flock to the Big Apple for a taste of contemporary art at this time of the year, and the city does not disappoint. I stepped into the elevator with about a thousand other people to feast on the Armory Show which is actually held at Piers 92 and 94 out over the Hudson River. Was it coincidence that the world’s largest private yacht – the Eclipse – was tied up in the next birth? Talk about conspicuous consumption! If you want to get an idea of the extent of this show you can go online and look at the site: http://artsy.net/thearmoryshow.com
Marca-Relli at Michael Rosenfeld
I was starved for something challenging, but first at the Armory Modern side I checked in with my cousin Michael Rosenfeld at his spacious booth featuring the art of collage. Michael has just moved his business from 57th street down to Chelsea, and many of the artists that he represents were on view at the Pier. I particularly liked the Conrad Marca-Relli shown above, and a little beauty by Anne Ryan ( she is almost always terrific but hopefully not forgotten ).
A few steps away I found a buttery Morandi show full of small delights – paintings and prints. It is remarkable how fresh Morandi still seems, and how engaging. There was also a late De Chirico – perhaps a re-painting of a favorite theme for this artist also at the Galleria D’Arte Maggiore G.A.M.
I dashed back out into the cool sunny day because I wanted to see what was on the contemporary side – seeking something more challenging – and it was getting more crowded as the minutes went by. Past the entrance I found wider aisles filled with people, and the booths filled with artworks by artists like Nick Cave at Jack Shainman Gallery. I have been struck by this art and the connections made to the art of Oceania – Nick Cave seems to channel the spirits of the Pacific Island cultures along with a cross between figurative art, the comics, and a toy store.
Nick Cave at Jack Shainman Gallery
At Peter Blum I stopped in to look at David Reed’s works on paper which demonstrate his talents layering colors ( with copious notes ) in what looked like recipes for a test kitchen. My impression from looking around the galleries represented here was that there was a lot less large scale photography, a lot more geometry, and a certain restraint – maybe less creative risk-taking.
David Reed at Peter Blum
Also, interesting to me were drawings by Anthony McCall, and some devilish shapes ( monoprints ) in black all in rows by Allan McCollum. Allan McCollum has been featured in an Art 21 episode that I enjoyed watching in the past, so I was interested to see how his art held up in this sprawling show.
Mandad and “Candy by Oda Juane at Daniel Templon