-
Archives
- March 2025
- February 2025
- December 2024
- November 2024
- October 2024
- September 2024
- August 2024
- June 2024
- May 2024
- April 2024
- March 2024
- January 2024
- December 2023
- November 2023
- May 2023
- April 2023
- March 2023
- January 2023
- December 2022
- November 2022
- October 2022
- September 2022
- August 2022
- June 2022
- May 2022
- April 2022
- November 2021
- October 2021
- September 2021
- August 2021
- July 2021
- May 2021
- March 2021
- November 2020
- August 2020
- July 2020
- June 2020
- May 2020
- April 2020
- March 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- June 2016
- May 2016
- April 2016
- March 2016
- February 2016
- January 2016
- December 2015
- November 2015
- October 2015
- September 2015
- August 2015
- July 2015
- June 2015
- May 2015
- April 2015
- March 2015
- February 2015
- January 2015
- December 2014
- November 2014
- October 2014
- September 2014
- August 2014
- July 2014
- June 2014
- May 2014
- April 2014
- March 2014
- February 2014
- January 2014
- December 2013
- November 2013
- October 2013
- September 2013
- August 2013
- July 2013
- June 2013
- May 2013
- April 2013
- March 2013
- February 2013
- December 2012
- November 2012
- October 2012
- September 2012
- July 2012
- April 2012
- February 2012
- January 2012
- December 2011
- November 2011
- October 2011
- September 2011
- August 2011
- July 2011
- June 2011
- May 2011
- April 2011
- March 2011
- February 2011
- January 2011
- December 2010
- November 2010
- October 2010
- September 2010
- July 2010
- June 2010
- May 2010
- April 2010
- March 2010
- February 2010
-
Meta
Monthly Archives: October 2016
The Print Club Edition
The Print Club of Rochester atTower Gallery, SUNY BrockportThis month at the Tower Gallery along on Holley Street at the campus of SUNY Brockport, the Print Club of Rochester has landed with a new exhibition in celebration of being 85 years old a… Continue reading
Posted in The Visual Artworker
Leave a comment
Dept. of Suggestive Amplification
What Are You Looking At?
Artists have a fearful power of expression that can direct your attention – as if you were listening to someone through a megaphone. It is the bully pulpit of the arts, it is the power of suggestion, and the strength of the artist whose skills can lead you in a direction, and may affirm your beliefs or confound them.
Sometimes it is the forum to which the artist brings their wares – just to get you to look at them. Maybe the artist feels that if you look at the things they produce, that you may want to have one for your very own.
Curtis Mann
at
Bevier Gallery, Rochester Institute of Technology
Two recent shows have opened that have this effect on me. The first show that I want to discuss is now open in the Bevier Gallery, in Building 7a on the campus of Rochester Institute of Technology, and it is called: “Transformational Imagemaking” – Handmade Photography Since 1960.
Bea Nettles
in
Transformational Imagemaking
Here, in the new exhibition, it is not only the power of photography – but also the manner in which the prints are made that can have such a positive effect. This is a large group show that features some alumni of RIT, as well as faculty members from the past and present and includes well known names such as Les Krims and well-regarded artists such as Bea Nettles.
Tatana Kellner
photography on molded paper
“Eye Witness, 2001”
This new show comes to us from the CEPA Gallery in Buffalo and it has some engaging aspects for photography not often seen, including some prints on molded paper by Tatana Kellner of eyes that can stare you down ( Eye Witness, 2001 ). I say that the artist has the power to attract your attention and give you something back in that transaction. Maybe it could be something humorous and risqué at the same time like the photo by Les Krims of a nude with the Mickey Mouse balloons.
Les Krims
There are also the cumulative effects of seeing the use of photographic images compounded in a book form – or as in the case of a work by Scott McCarney – an accordion fold publication called: ” Memory Loss” of 1988.
“Memory Loss” by Scott McCarney
Photos can have a very surreal point of view because of what you can do in the darkroom ( or today with Photoshop ) and we see that as a regular part of the program in the work of Jerry Uelsmann. There are several of his distinctive prints in the present show.
Jerry Uelsmann in the show titled
“Transformational Imagemaking at RIT
Now, I would like to move into the realm of painting seen through the eyes of my colleague, Luvon Sheppard who is presenting a solo show in the Davison Gallery on the campus of Roberts Wesleyan College in the western suburbs of Rochester. This show called: “Forms of Content” brings together many new paintings in watercolor and acrylic and even some surprise sculptural works which Luvon has in store. His show in many ways could be an extension of “Transformational Image-making” because he shares some of the same notions about process and suggestion in the art on view.
Luvon Sheppard talks to his audience
at
Roberts Wesleyan College
Luvon Sheppard spoke about his artwork at the reception for his show and he expressed his intense interest in watercolor and what the process can reveal. As a teacher and Professor, in the School of Art at RIT he has said that he has learned as much from his students in his classes – and he has been teaching for many years ( 45 years plus ).
Luvon Sheppard’s “Horses”
Luvon has a very interesting background, and his artwork has evolved to now include elements of abstraction and collage, along with his ability to tell a story in paint. His inquisitive personality, and his kindness has won him a very strong following and I am happy to call him a friend and fellow teacher, and office mate for the past couple of decades.
Luvon Sheppard
at
Davison Gallery
Roberts Wesleyan College
in
“Forms of Content”
Posted in The Visual Artworker
Leave a comment
Burchfield in Buffalo and Drawings by Joan Linder
Charles Burchfield atBurchfield Penney Art CenterBuffalo, New YorkHighly detailed in range and scope is this season’s show of Charles Burchfield’s artwork called “Blistering Vision” at The Burchfield Penney Art Center, and it was the main dr… Continue reading
Posted in The Visual Artworker
Leave a comment
Vanishing
“Vanish”withBrandon Ballengee part of a five person show atRochester Contemporary Art Center137 East AvenueRochester, NYHaving just come home from a performance of “Tristan and Isolde”, live from the Metropolitan Opera, I have been very move… Continue reading
Posted in The Visual Artworker
Leave a comment